A Tale of Two Movies
Now Playing: Partners in Rhyme - Teri Meri
Before we get to the main course, ladies and gentlemen, let me draw aside the curtain of my mind (is that a song lyric?) and give you some insight into my train of thought:
- Stephen and I are chatting.
- Stephen remarks on the catchiness of Bhangra, having just been introduced to it.
- I refer him to the Bend it like Beckham soundtrack, which has some very catchy bhangra tunes on it.
- I remember one non-Bhangra tune on the album that I like, a Partners in Rhyme' remix of a Nusrat Fateh Ali Khan song called tere bin nahin lagda.
- I decided to see what Partners in Rhyme have done since then.
- I stumble across a track called teri meri (literally, yours and mine).
- I press play.
- The song is ridiculously addictive. It's like musical crack.
- I can't stop playing it!
Anyway, saw two movies adapted from novels recently; loved one, was utterly meh about the other.
any guesses?

In their quest to streamline the movie, Newell et al threw out whole chunks of the book, thereby junking some of my favourite scenes from the book. We don't get to see Skeeter being a complete bitch and Hermione figuring ou


Anyway, the other movie that I saw - and loved - was Pride and Prejudice. Now, it's no secret that I adore this book. It's the one book that I have found impossible to "read-out" - whereby I read a book so often that by the end of the whole process, it's as if I've drained the thing dry, and there's nothing left on those dog-eared pages for me anymore. This is what happened with Oliver Twist, Sense and Sensibility, Jane Eyre even - I can't read those books anymore. Not Pride and Prejudice. I have read the book any number of times, seen all the assorted film versions - of the list on that page, I've seen all of them except the Mormon version & the assorted BBC versions pre-1980, and I'm here to tell you, this new version more than holds its own.
Where to start? Okay, it's not a romantic comedy, a la the Olivier and Garson version; this one is a romance, from start to finish. But before my male readership decamps in alarm, they should know this movie is really well made technically - long, lovely tracking shots a la Serenity, and wonderful piano music by Jean-Yves Thibaudet. And the script - now, this is how you condense a novel well. Gone are the Hursts, the little Gardiners, the sundry Lucases (Charlotte, obviously is indispensable, but the only other Lucas one sees is Sir William at the Assembly Ball, and only in passing), Mrs Phillips, etcetera - the story and the cast is pared down to the barest essentials. The acting is wonderful - I really hadn't expected Keira Knightley to be able to pull it off as well as she did, but how glad I am to be wrong. Her Elizabeth is clever, irrepressible and girlish - something that could not be said of her predecessors in the role, Jennifer Ehle and Greer Garson. Matthew MacFadyen is perfect as Darcy - taciturn, intrigued & passionate by turns. Comparisons to Colin Firth are inevitable, but MacFadyen more than holds his own. The supporting actors - Donald Sutherland, Brenda Blethyn, Rosamund Pike, et al all do justice to their parts. Quite seriously, it is a wonderful movie, and one you ought to watch.
Wow, I've really run on here, haven't I?
Yours garrulously,
Sharon